I Await The Doonesbury Metaphor

From the Root’s fascinating study of How to Draw a Black Man: “During Obama’s meteoric rise from state senate to the threshold of the oval office, political cartoonists have had to grapple not just with a fresh face to draw, but a new race to signify. Photographs of Obama’s angular, open visage—half white, half black—have graced countless magazine covers in the last year alone, appearing at times Marvel-esque, at others proletarian. His cartoon self, however, has been wildly incoherent.”

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